Powerful bipolar transistor amplifier circuit. Powerful transistor amplifier

The editors of the site "Two Schemes" presents a simple, but quality amplifier LF on MOSFET transistors. His circuit should be well known to audiophile radio amateurs, since she is already 20 years old. The circuit is the development of the famous Anthony Holton, which is why it is sometimes called ULF Holton. The sound amplification system has low harmonic distortion, not exceeding 0.1%, with a power load of about 100 watts.

This amplifier is an alternative to the popular amplifiers of the TDA series and similar pop ones, because at a slightly higher cost you can get an amplifier with clearly better characteristics.

The big advantage of the system is the simple design and the output stage, consisting of 2 inexpensive MOSFETs. The amplifier can drive both 4 and 8 ohm speakers. The only adjustment that needs to be made during startup is to set the quiescent current value of the output transistors.

Schematic diagram of UMZCH Holton

Holton amplifier on MOSFET - circuit

The circuit is a classic two-stage amplifier, it consists of a differential input amplifier and a balanced power amplifier, in which one pair of power transistors operates. The scheme of the system is presented above.

Printed circuit board

ULF printed circuit board - finished view

Here is the archive from PDF files printed circuit board - .

The principle of operation of the amplifier

Transistors T4 (BC546) and T5 (BC546) operate in a differential amplifier configuration and are powered by a current source built on the basis of transistors T7 (BC546), T10 (BC546) and resistors R18 (22 kohm), R20 (680 ohms) and R12 (22 com). The input signal is fed to two filters: a low-pass filter, built from the elements R6 (470 ohms) and C6 (1 nf) - it limits the high-frequency components of the signal and a band-pass filter, consisting of C5 (1 uF), R6 and R10 (47 kΩ), limiting signal components at infra-low frequencies.

The load of the differential amplifier is resistors R2 (4.7 kohm) and R3 (4.7 kohm). Transistors T1 (MJE350) and T2 (MJE350) are another amplification stage, and transistors T8 (MJE340), T9 (MJE340) and T6 (BD139) are its load.

Capacitors C3 (33pF) and C4 (33pF) counteract the excitation of the amplifier. Capacitor C8 (10 nF) connected in parallel with R13 (10 kΩ / 1 V) improves the transient response of the ULF, which is important for fast-growing input signals.

Transistor T6, together with the elements R9 (4.7 kohm), R15 (680 ohms), R16 (82 ohms) and PR1 (5 ohms), allows you to set the correct polarity of the output stages of the amplifier at rest. Using a potentiometer, it is necessary to set the quiescent current of the output transistors within 90-110 mA, which corresponds to a voltage drop across R8 (0.22 ohm / 5 W) and R17 (0.22 ohm / 5 W) within 20-25 mV. The total current consumption in the rest mode of the amplifier should be in the region of 130 mA.

The output elements of the amplifier are MOSFETs T3 (IRFP240) and T11 (IRFP9240). These transistors are installed as a voltage follower with a large maximum output current, so the first 2 stages must swing a large enough amplitude for the output signal.

Resistors R8 and R17 were mainly used to quickly measure the quiescent current of power amplifier transistors without interfering with the circuit. They may also come in handy if the system is expanded with another pair of power transistors, due to differences in the resistance of the open channels of the transistors.

Resistors R5 (470 ohms) and R19 (470 ohms) limit the charging rate of the capacitance of the pass transistors, and, therefore, limit frequency range amplifier. Diodes D1-D2 (BZX85-C12V) protect powerful transistors. With them, the voltage at startup relative to power supplies for transistors should not be more than 12 V.

The amplifier board provides places for power filter capacitors C2 (4700 uF / 50 V) and C13 (4700 uF / 50 V).

Homemade transistor ULF on MOSFET

The control is powered through an additional RC filter built on the elements R1 (100 ohm / 1 V), C1 (220 μF / 50 V) and R23 (100 Ω / 1 V) and C12 (220 μF / 50 V).

Power supply for UMZCH

The amplifier circuit provides power that reaches a real 100 watts (effective sinusoidal), with an input voltage in the region of 600 mV and a load resistance of 4 ohms.

Amplifier Holton on the board with details

The recommended transformer is a 200 W toroid with a voltage of 2x24 V. After rectification and smoothing, you should get a two-polar supply to the power amplifiers in the region of +/-33 Volts. The design shown here is a very good performance MOSFET mono amplifier module that can be used as a standalone unit or as part of a .

- The neighbor got tired of knocking on the battery. He turned the music up louder so that he could not be heard.
(From audiophile folklore).

The epigraph is ironic, but the audiophile is not necessarily “sick in the head” with the physiognomy of Josh Ernest at a briefing on relations with the Russian Federation, who is “rushing” because the neighbors are “happy”. Someone wants to listen to serious music at home as in the hall. The quality of the equipment for this is necessary, which for fans of the decibel of loudness as such simply does not fit where sane people have a mind, but for the latter, this mind comes from the prices of suitable amplifiers (UMZCH, audio frequency power amplifier). And someone along the way has a desire to join useful and exciting areas of activity - the technique of sound reproduction and electronics in general. Which in the digital age are inextricably linked and can become a highly profitable and prestigious profession. The first step in this matter, optimal in all respects, is to make an amplifier with your own hands: it is UMZCH that allows, with initial training based on school physics, on the same table, to go from the simplest structures for half an evening (which, nevertheless, “sing” well) to the most complex units, through which a good rock band will play with pleasure. The purpose of this publication is to cover the first stages of this path for beginners and, perhaps, to tell something new to experienced ones.

Protozoa

So, for starters, let's try to make a sound amplifier that just works. To thoroughly understand sound engineering, you will have to gradually master quite a lot. theoretical material and do not forget to enrich the baggage of knowledge as you progress. But any “smartness” is easier to digest when you see and feel how it works “in hardware”. In this article, further, too, it will not do without theory - in what you need to know at first and what can be explained without formulas and graphs. In the meantime, it will be enough to be able to use the multitester.

Note: if you have not soldered electronics yet, please note that its components must not be overheated! Soldering iron - up to 40 W (better than 25 W), the maximum allowable soldering time without interruption is 10 s. The soldered lead for the heat sink is held 0.5-3 cm from the place of soldering from the side of the device case with medical tweezers. Acid and other active fluxes must not be used! Solder - POS-61.

On the left in fig.- the simplest UMZCH, "which just works." It can be assembled on both germanium and silicon transistors.

On this crumb, it is convenient to master the basics of setting up the UMZCH with direct connections between the cascades, which give the clearest sound:

• Before the first power-up, the load (speaker) is turned off;
• Instead of R1, we solder a chain of a constant resistor of 33 kOhm and a variable (potentiometer) of 270 kOhm, i.e. first note. four times smaller, and the second approx. twice the face value against the original according to the scheme;
• We supply power and, by rotating the potentiometer slider, at the point marked with a cross, set the specified collector current VT1;
• We remove the power, solder the temporary resistors and measure their total resistance;
• As R1, we set a resistor of nominal value from standard range, closest to the measured one;
• We replace R3 with a constant 470 Ohm chain + 3.3 kOhm potentiometer;
• The same as according to paragraphs. 3-5, incl. a set the voltage equal to half the supply voltage.

Point a, from where the signal is taken to the load, is the so-called. middle point of the amplifier. In UMZCH with unipolar power, half of its value is set in it, and in UMZCH with bipolar power - zero relative to the common wire. This is called adjusting the balance of the amplifier. In unipolar UMZCH with capacitive load decoupling, it is not necessary to turn it off during setup, but it is better to get used to doing it reflexively: an unbalanced 2-polar amplifier with a connected load can burn its own powerful and expensive output transistors, or even “new, good” and very expensive powerful speaker.

Note: components that require selection when setting up a device in a layout are indicated on the diagrams either with an asterisk (*) or an apostrophe dash (‘).

In the center in the same Fig.- a simple UMZCH on transistors, which already develops power up to 4-6 W at a load of 4 ohms. Although it works, like the previous one, in the so-called. class AB1, not intended for Hi-Fi sound, but if you replace a pair of such class D amplifier (see below) in cheap Chinese computer speakers, their sound improves markedly. Here we learn another trick: powerful output transistors must be placed on radiators. Components that require additional cooling are circled in the diagrams with a dotted line; however, not always; sometimes - with an indication of the required dissipating area of ​​the heat sink. Adjustment of this UMZCH - balancing with R2.

On the right in fig.- not yet a 350 W monster (as was shown at the beginning of the article), but already quite a solid beast: a simple 100 W transistor amplifier. You can listen to music through it, but not Hi-Fi, the work class is AB2. However, for scoring a picnic area or an outdoor meeting, a school assembly or a small trading floor, it is quite suitable. An amateur rock band, having such an UMZCH for an instrument, can perform successfully.

In this UMZCH, 2 more tricks appear: firstly, in very powerful amplifiers, the buildup cascade of a powerful output also needs to be cooled, so VT3 is put on a radiator from 100 sq. see. For output VT4 and VT5, radiators from 400 square meters are needed. see Secondly, UMZCH with bipolar power supply are not balanced at all without load. Either one or the other output transistor goes into cutoff, and the conjugated one goes into saturation. Then, at full supply voltage, current surges during balancing can destroy the output transistors. Therefore, for balancing (R6, did you guess?), the amplifier is powered from +/-24 V, and instead of the load, a 100 ... 200 Ohm wire resistor is included. By the way, the squiggles in some of the resistors in the diagram are Roman numerals, denoting their required heat dissipation power.

Note: a power source for this UMZCH needs a power of 600 watts or more. Smoothing filter capacitors - from 6800 uF to 160 V. In parallel with the electrolytic capacitors of the IP, ceramic 0.01 uF capacitors are switched on to prevent self-excitation at ultra audio frequencies ah, capable of instantly burning the output transistors.

On the field workers

On the trail. rice. - another option for a fairly powerful UMZCH (30 W, and with a supply voltage of 35 V - 60 W) on powerful field effect transistors:

The sound from it already draws on the requirements for Hi-Fi entry level(if, of course, UMZCH works on acc. Acustic systems, AS). Powerful field workers do not require much power for buildup, so there is no pre-power cascade. Even powerful field-effect transistors do not burn the speakers under any malfunctions - they themselves burn out faster. Also unpleasant, but still cheaper than changing an expensive bass speaker head (GG). Balancing and generally adjustment to this UMZCH are not required. It has only one drawback, like a design for beginners: powerful field-effect transistors are much more expensive than bipolar ones for an amplifier with the same parameters. IP requirements are the same as before. occasion, but its power is needed from 450 watts. Radiators - from 200 sq. cm.

Note: no need to build powerful UMZCH on field-effect transistors for switching power supplies, for example. computer. When trying to “drive” them into the active mode necessary for the UMZCH, they either simply burn out, or they give a weak sound, but “none” in quality. The same applies to powerful high-voltage bipolar transistors, for example. from the horizontal scanning of old TVs.

Right up

If you have already taken the first steps, then it will be quite natural to want to build UMZCH class Hi-Fi, without going too deep into the theoretical jungle. To do this, you will have to expand the instrument park - you need an oscilloscope, an audio frequency generator (GZCH) and a millivoltmeter alternating current with the possibility of measuring the constant component. It is better to take the UMZCH E. Gumeli, described in detail in Radio No. 1 for 1989, as a prototype for repetition. To build it, you will need a few inexpensive affordable components, but the quality meets very high requirements: power up to 60 W, bandwidth 20-20,000 Hz, uneven frequency response 2 dB, coefficient non-linear distortion(THD) 0.01%, self-noise level -86 dB. However, setting up the Gumeli amplifier is quite difficult; if you can handle it, you can take on any other. However, some of the circumstances now known greatly simplify the establishment of this UMZCH, see below. Bearing this in mind and the fact that not everyone succeeds in getting into the Radio archives, it would be appropriate to repeat the main points.

Schemes of a simple high-quality UMZCH

UMZCH Gumeli schemes and specifications for them are given in the illustration. Radiators of output transistors - from 250 sq. see for UMZCH according to fig. 1 and from 150 sq. see for variant according to fig. 3 (numbering is original). The transistors of the pre-output stage (KT814/KT815) are mounted on radiators bent from aluminum plates 75x35 mm 3 mm thick. It is not worth replacing KT814 / KT815 with KT626 / KT961, the sound does not noticeably improve, but it is seriously difficult to establish.

This UMZCH is very critical to the power supply, installation topology and general, therefore, it must be adjusted in a structurally finished form and only with a standard power source. When trying to power from a stabilized IP, the output transistors burn out immediately. Therefore, in fig. drawings of the original printed circuit boards and setup instructions. It can be added to them that, firstly, if “excitation” is noticeable at the first start, they fight with it by changing the inductance L1. Secondly, the leads of the parts installed on the boards must be no longer than 10 mm. Thirdly, it is highly undesirable to change the installation topology, but, if it is very necessary, there must be a frame screen on the side of the conductors (ground loop, highlighted in color in the figure), and the power supply paths must pass outside it.

Note: breaks in the tracks to which the bases of powerful transistors are connected - technological ones, for establishing, after which they are sealed with drops of solder.

The establishment of this UMZCH is greatly simplified, and the risk of encountering "excitation" in the process of use is reduced to zero if:

• Minimize interconnect wiring by placing boards on high-power transistor heatsinks.
• Completely abandon the connectors inside, performing the entire installation only by soldering. Then you will not need R12, R13 in a powerful version or R10 R11 in a less powerful one (they are dotted on the diagrams).
• Use for internal installation minimum length oxygen-free copper audio wires.

When these conditions are met, there are no problems with excitation, and the establishment of UMZCH is reduced to a routine procedure, described in Fig.

Wires for sound

Audio wires are not idle fiction. The need for their use at the present time is undeniable. In copper with an admixture of oxygen, the thinnest oxide film is formed on the faces of metal crystallites. Metal oxides are semiconductors and if the current in the wire is weak without a constant component, its shape is distorted. In theory, distortions on myriads of crystallites should compensate each other, but very little (it seems, due to quantum uncertainties) remains. Enough to be noticed by discerning listeners against the background of the purest sound of modern UMZCH.

Manufacturers and traders without a twinge of conscience slip ordinary electrical copper instead of oxygen-free copper - it is impossible to distinguish one from the other by eye. However, there is a scope where a fake does not go unambiguously: a twisted pair cable for computer networks. Put a grid with long segments on the left, it will either not start at all, or it will constantly fail. Dispersion of impulses, you know.

The author, when there was still talk about audio wires, realized that, in principle, this was not empty chatter, especially since oxygen-free wires by that time had long been used in special-purpose equipment, with which he was well acquainted with the type of activity. Then I took it and replaced the regular cord of my TDS-7 headphones with a home-made one from a “vitukha” with flexible stranded wires. The sound, by ear, has steadily improved for analog tracks through, i.e. on the way from the studio microphone to the disc, never digitized. Recordings on vinyl made using DMM technology (Direct Meta lMastering, direct metal deposition) sounded especially bright. After that, the interblock editing of all home audio was converted to "vitushny". Then completely random people began to notice the improvement in sound, they were indifferent to music and not forewarned in advance.

How to make interconnect wires from twisted pair, see next. video.

Video: do-it-yourself twisted-pair interconnect wires

Unfortunately, the flexible "vituha" soon disappeared from sale - it did not hold well in crimped connectors. However, for the information of readers, flexible “military” wire MGTF and MGTFE (shielded) is made only from oxygen-free copper. Forgery is impossible, because. on ordinary copper, fluoroplastic tape insulation spreads rather quickly. MGTF is now widely available and is much cheaper than branded, guaranteed audio wires. It has one drawback: it cannot be done colored, but this can be corrected with tags. There are also oxygen-free winding wires, see below.

Theoretical interlude

As you can see, already at the very beginning of mastering sound engineering, we had to deal with the concept of Hi-Fi (High Fidelity), high fidelity sound playback. Hi-Fi comes in different levels, which are ranked next. main parameters:

1. Band of reproducible frequencies.
2. Dynamic range - the ratio in decibels (dB) of the maximum (peak) output power to the level of self-noise.
3. Self-noise level in dB.
4. Nonlinear distortion factor (THD) at rated (long-term) output power. SOI at peak power is assumed to be 1% or 2% depending on the measurement technique.
5. Irregularities in the amplitude-frequency characteristic (AFC) in the reproducible frequency band. For speakers - separately at low (LF, 20-300 Hz), medium (MF, 300-5000 Hz) and high (HF, 5000-20,000 Hz) audio frequencies.

Note: the ratio of the absolute levels of any values ​​of I in (dB) is defined as P(dB) = 20lg(I1/I2). If I1

You need to know all the subtleties and nuances of Hi-Fi when designing and building speakers, and as for a home-made Hi-Fi UMZCH for the home, before moving on to these, you need to clearly understand the requirements for their power required for scoring a given room, dynamic range (dynamics), self-noise level and SOI. To achieve a frequency band of 20-20,000 Hz from the UMZCH with a blockage at the edges of 3 dB and a frequency response unevenness at the midrange of 2 dB on a modern element base is not very difficult.

Volume

The power of the UMZCH is not an end in itself, it should provide the optimal volume of sound reproduction in a given room. It can be determined by curves of equal loudness, see fig. Natural noise in residential premises is quieter than 20 dB; 20 dB is the wilderness in complete calm. The volume level of 20 dB relative to the threshold of hearing is the threshold of intelligibility - you can still make out the whisper, but the music is perceived only as a fact of its presence. An experienced musician can tell which instrument is playing, but not exactly what.

40 dB - the normal noise of a well-insulated city apartment in a quiet area or a country house - represents the threshold of intelligibility. Music from the threshold of intelligibility to the threshold of intelligibility can be listened to with a deep frequency response correction, primarily in bass. To do this, the MUTE function is introduced into modern UMZCH (mute, mutation, not mutation!), Which includes resp. corrective circuits in UMZCH.

90 dB is the volume level of a symphony orchestra in a very good concert hall. 110 dB can give out an expanded orchestra in a hall with unique acoustics, of which there are no more than 10 in the world, this is the threshold of perception: louder sounds are perceived even as distinguishable in meaning with an effort of will, but already annoying noise. The loudness zone in residential premises of 20-110 dB is the zone of full audibility, and 40-90 dB is the zone of the best audibility, in which unprepared and inexperienced listeners fully perceive the meaning of the sound. If, of course, he is in it.

Power

Calculating the power of the equipment for a given volume in the listening area is perhaps the main and most difficult task of electroacoustics. For yourself, in conditions, it is better to go from acoustic systems (AS): calculate their power using a simplified method, and take the nominal (long-term) power of the UMZCH equal to the peak (musical) speakers. In this case, the UMZCH will not noticeably add its distortions to those speakers, they are already the main source of non-linearity in the audio path. But the UMZCH should not be made too powerful: in this case, the level of its own noise may be above the threshold of audibility, because. it is considered from the voltage level of the output signal at maximum power. If we consider it very simply, then for a room of an ordinary apartment or house and speakers with normal characteristic sensitivity (sound output), we can take a trace. UMZCH optimal power values:

• Up to 8 sq. m - 15-20 W.
• 8-12 sq. m - 20-30 W.
• 12-26 sq. m - 30-50 W.
• 26-50 sq. m - 50-60 W.
• 50-70 sq. m - 60-100 watts.
• 70-100 sq. m - 100-150 watts.
• 100-120 sq. m - 150-200 watts.
• Over 120 sq. m - is determined by calculation according to acoustic measurements on site.

Dynamics

The dynamic range of UMZCH is determined by equal loudness curves and threshold values ​​for different degrees of perception:

1. Symphonic music and jazz with symphonic accompaniment - 90 dB (110 dB - 20 dB) ideal, 70 dB (90 dB - 20 dB) acceptable. Sound with dynamics of 80-85 dB in a city apartment will not be distinguished from ideal by any expert.
2. Other serious musical genres - 75 dB is excellent, 80 dB is over the roof.
3. Pops of any kind and movie soundtracks - 66 dB for the eyes is enough, because. these opuses are already compressed in levels up to 66 dB and even up to 40 dB during recording, so that you can listen to anything.

The dynamic range of the UMZCH, correctly selected for a given room, is considered equal to its own noise level, taken with a + sign, this is the so-called. signal-to-noise ratio.

SOI

Nonlinear distortions (NI) UMZCH are components of the spectrum of the output signal, which were not in the input. Theoretically, it is best to “push” the NI under the level of its own noise, but technically this is very difficult to implement. In practice, they take into account the so-called. masking effect: at volume levels below approx. 30 dB the range of frequencies perceived by the human ear narrows, as does the ability to distinguish sounds by frequency. Musicians hear notes, but it is difficult to assess the timbre of the sound. In people without a musical ear, the masking effect is already observed at 45-40 dB of volume. Therefore, UMZCH with a THD of 0.1% (-60 dB from a volume level of 110 dB) will be assessed as a Hi-Fi by an ordinary listener, and with a THD of 0.01% (-80 dB) can be considered not distorting the sound.

Lamps

The last statement, perhaps, will cause rejection, up to furious, among adherents of tube circuitry: they say that only tubes give real sound, and not just any, but certain types of octal ones. Calm down, gentlemen - a special tube sound is not fiction. The reason is fundamentally different distortion spectra for electronic tubes and transistors. Which, in turn, are due to the fact that the electron flow in the lamp moves in a vacuum and quantum effects do not appear in it. A transistor is a quantum device, where minor charge carriers (electrons and holes) move in a crystal, which is generally impossible without quantum effects. Therefore, the spectrum of tube distortions is short and clean: only harmonics up to the 3rd - 4th are clearly traced in it, and there are very few combination components (sums and differences of the frequencies of the input signal and their harmonics). Therefore, in the days of vacuum circuitry, SOI was called the harmonic coefficient (KH). In transistors, the distortion spectrum (if they are measurable, the reservation is random, see below) can be traced up to the 15th and higher components, and there are more than enough combination frequencies in it.

At the beginning of solid-state electronics, the designers of transistorized UMZCH took for them the usual "tube" SOI of 1-2%; a sound with a tube distortion spectrum of this magnitude is perceived by ordinary listeners as clean. By the way, the very concept of Hi-Fi did not exist then. It turned out - they sound dull and deaf. In the process of the development of transistor technology, an understanding was developed of what Hi-Fi is and what is needed for it.

At present, the growing pains of transistor technology have been successfully overcome and side frequencies at the output of a good UMZCH are hardly captured by special measurement methods. And lamp circuitry can be considered to have passed into the category of art. Its basis can be any, why can't electronics go there? An analogy with photography would be appropriate here. No one can deny that a modern digital SLR gives an image immeasurably clearer, more detailed, deeper in terms of brightness and color range than a plywood box with an accordion. But someone with the coolest Nikon "clicks pictures" like "this is my fat cat got drunk like a bastard and sleeps with his paws spread", and someone with Smena-8M on a Svemov b / w film takes a picture in front of which people are crowding at a prestigious exhibition.

Note: and once again calm down - not everything is so bad. To date, low-power lamp UMZCHs have at least one application left, and not of the least importance, for which they are technically necessary.

Experimental stand

Many audio lovers, having barely learned how to solder, immediately "go into the lamps." This is by no means deserving of condemnation, on the contrary. Interest in the origins is always justified and useful, and electronics has become such on lamps. The first computers were tube-based, and the on-board electronic equipment of the first spacecraft was also tube-based: there were already transistors at that time, but they could not withstand extraterrestrial radiation. By the way, then, under the strictest secrecy, tube ... microcircuits were also created! Cold cathode microlamps. The only known mention of them in open sources is in the rare book by Mitrofanov and Pickersgil "Modern receiving-amplifying lamps".

But enough of the lyrics, let's get down to business. For those who like to tinker with the lamps in fig. - a diagram of a bench lamp UMZCH, designed specifically for experiments: SA1 switches the operating mode of the output lamp, and SA2 switches the supply voltage. The circuit is well known in the Russian Federation, a slight refinement touched only the output transformer: now you can not only “drive” your native 6P7S in different modes, but also select the screen grid switching ratio for other lamps in ultra-linear mode; for the vast majority of output pentodes and beam tetrodes, it is either 0.22-0.25, or 0.42-0.45. See below for output transformer manufacturing.

Guitarists and rockers

This is the case when you can not do without lamps. As you know, the electric guitar became a full-fledged solo instrument after the pre-amplified signal from the pickup began to pass through a special prefix - fuser - deliberately distorting its spectrum. Without this, the sound of the string was too sharp and short, because. an electromagnetic pickup reacts only to the modes of its mechanical oscillations in the plane of the soundboard of the instrument.

An unpleasant circumstance soon emerged: the sound of an electric guitar with a fuser gains full strength and brightness only at high volumes. This is especially evident for guitars with a humbucker pickup, which gives the most "evil" sound. But what about a beginner, forced to rehearse at home? Do not go to the hall to perform, not knowing exactly how the instrument will sound there. And just rock lovers want to listen to their favorite things in full juice, and rockers are generally decent and non-conflict people. At least those who are interested in rock music, and not outrageous surroundings.

So, it turned out that the fatal sound appears at volume levels acceptable for residential premises, if the UMZCH is tube. The reason is the specific interaction of the signal spectrum from the fuser with a clean and short spectrum of tube harmonics. Here again, an analogy is appropriate: a b / w photo can be much more expressive than a color one, because. leaves only the contour and the light for viewing.

Those who need a tube amplifier not for experiments, but because of technical necessity, have no time to master the intricacies of tube electronics for a long time, they are passionate about others. UMZCH in this case, it is better to do transformerless. More precisely, with a single-ended matching output transformer that operates without constant bias. This approach greatly simplifies and speeds up the manufacture of the most complex and critical assembly of the lamp UMZCH.

“Transformerless” UMZCH tube output stage and preamplifiers for it

On the right in fig. a diagram of a transformerless output stage of a tube UMZCH is given, and on the left are options for a preamplifier for it. Above - with a tone control according to the classic Baksandal scheme, which provides a fairly deep adjustment, but introduces small phase distortions into the signal, which can be significant when operating the UMZCH on a 2-way speaker. Below is a simpler preamplifier with tone control that does not distort the signal.

But let's get back to the end. In a number of foreign sources, this circuit is considered a revelation, however, identical to it, with the exception of the capacity of electrolytic capacitors, is found in the Soviet Radio Amateur's Handbook of 1966. A thick book of 1060 pages. There was no Internet then and databases on disks.

In the same place, on the right in the figure, the shortcomings of this scheme are briefly but clearly described. Improved, from the same source, given on the trail. rice. on right. In it, the screen grid L2 is powered from the midpoint of the anode rectifier (the anode winding of the power transformer is symmetrical), and the screen grid L1 through the load. If, instead of high-impedance speakers, you turn on a matching transformer with a conventional speaker, as in the previous. circuit, the output power is approx. 12 W, because the active resistance of the primary winding of the transformer is much less than 800 ohms. SOI of this final stage with a transformer output - approx. 0.5%

How to make a transformer?

The main enemies of the quality of a powerful signal low-frequency (sound) transformer are the magnetic stray field, the lines of force of which are closed, bypassing the magnetic circuit (core), eddy currents in the magnetic circuit (Foucault currents) and, to a lesser extent, magnetostriction in the core. Because of this phenomenon, a carelessly assembled transformer "sings", buzzes or squeaks. Foucault currents are fought by reducing the thickness of the plates of the magnetic circuit and additionally isolating them with varnish during assembly. For output transformers, the optimal thickness of the plates is 0.15 mm, the maximum allowable is 0.25 mm. Thinner plates should not be taken for the output transformer: the fill factor of the core (the central core of the magnetic circuit) with steel will fall, the cross section of the magnetic circuit will have to be increased to obtain a given power, which will only increase distortion and losses in it.

In the core of an audio transformer operating with a constant bias (eg, anode current of a single-ended output stage), there must be a small (determined by calculation) non-magnetic gap. The presence of a non-magnetic gap, on the one hand, reduces signal distortion from constant bias; on the other hand, in a conventional magnetic circuit it increases the stray field and requires a larger core. Therefore, the non-magnetic gap must be calculated at the optimum and performed as accurately as possible.

For transformers operating with magnetization, the optimal type of core is made of Shp plates (punched), pos. 1 in fig. In them, a non-magnetic gap is formed during the penetration of the core and therefore is stable; its value is indicated in the passport for the plates or measured with a set of probes. The stray field is minimal, because the side branches through which the magnetic flux closes are solid. Shp plates are often used to assemble transformer cores without magnetization, because Shp plates are made of high quality transformer steel. In this case, the core is assembled in an overlap (the plates are placed with a notch in one direction or the other), and its cross section is increased by 10% against the calculated one.

It is better to wind transformers without magnetization on USh cores (reduced height with widened windows), pos. 2. In them, the reduction of the stray field is achieved by reducing the length of the magnetic path. Since USh plates are more accessible than Shp, transformer cores with magnetization are often also made from them. Then the assembly of the core is carried out in a cut: a package of W-plates is assembled, a strip of non-conductive non-magnetic material is laid with a thickness equal to the value of the non-magnetic gap, covered with a yoke from a package of jumpers and pulled together by a clip.

Note:"Audio" signal magnetic circuits of the ShLM type for output transformers of high-quality tube amplifiers are of little use, they have a large stray field.

At pos. 3 is a diagram of the dimensions of the core for calculating the transformer, at pos. 4 winding frame design, and on pos. 5 - patterns of its details. As for the transformer for the "transformerless" output stage, it is better to do it on the SLMme with an overlap, because. the bias is negligible (the bias current is equal to the current of the screen grid). The main task here is to make the windings as compact as possible in order to reduce the stray field; their active resistance will still turn out to be much less than 800 ohms. The more free space left in the windows, the better the transformer turned out. Therefore, the windings wind turn to turn (if there is no winding machine, this is a terrible machine) from the thinnest possible wire, the anode winding laying coefficient for the mechanical calculation of the transformer is taken as 0.6. The winding wire is of the PETV or PEMM brands, they have an oxygen-free core. It is not necessary to take PETV-2 or PEMM-2, they have an increased outer diameter due to double varnishing and the scattering field will be larger. The primary winding is wound first, because. it is its stray field that most affects the sound.

Iron for this transformer must be looked for with holes in the corners of the plates and clamps (see the figure on the right), because. "For complete happiness" the assembly of the magnetic circuit is carried out in the next. order (of course, the windings with leads and outer insulation should already be on the frame):

1. Prepare half-diluted acrylic varnish or, in the old fashioned way, shellac;
2. Plates with jumpers are quickly varnished on one side and put into the frame as quickly as possible, without pressing hard. The first plate is placed with the lacquered side inward, the next - with the unvarnished side to the lacquered first, etc.;
3. When the frame window is full, staples are applied and tightened tightly with bolts;
4. After 1-3 minutes, when the extrusion of varnish from the gaps apparently stops, the plates are added again until the window is filled;
5. Repeat paragraphs. 2-4 until the window is tightly packed with steel;
6. The core is pulled tightly again and dried on a battery or the like. 3-5 days.

The core assembled using this technology has very good plate insulation and steel filling. Losses due to magnetostriction are not detected at all. But keep in mind - for the cores of their permalloy, this technique is not applicable, because. from strong mechanical influences, the magnetic properties of permalloy irreversibly deteriorate!

On microchips

UMZCH on integrated circuits (ICs) is most often done by those who are satisfied with sound quality up to average Hi-Fi, but are more attracted by cheapness, speed, ease of assembly and the complete absence of any adjustment procedures that require special knowledge. Simply, an amplifier on microcircuits is the best option for dummies. The classic of the genre here is UMZCH on the TDA2004 IC, standing on the series, God forbid, for 20 years, on the left in fig. Power - up to 12 W per channel, supply voltage - 3-18 V unipolar. Radiator area - from 200 sq. see for maximum power. The advantage is the ability to work on a very low-resistance, up to 1.6 Ohm, load, which allows you to remove full power when powered from the 12 V on-board network, and 7-8 W - with a 6-volt power supply, for example, on a motorcycle. However, the TDA2004 output in class B is non-complementary (on transistors of the same conductivity), so the sound is definitely not Hi-Fi: THD 1%, dynamics 45 dB.

The more modern TDA7261 gives no better sound, but more powerful, up to 25 W, because. the upper limit of the supply voltage has been increased to 25V. TDA7261 can be run from almost all on-board networks, except for aircraft 27 V. With the help of hinged components (strapping, on the right in the figure), TDA7261 can operate in mutation mode and with the St-By (Stand By, wait) function, which switches the UMZCH to the minimum power consumption mode when there is no input signal for a certain time. Amenities cost money, so for a stereo you will need a pair of TDA7261 with radiators from 250 sq. see for each.

Note: if you are attracted to amplifiers with the St-By function, keep in mind that you should not expect speakers wider than 66 dB from them.

"Super-economical" in terms of power TDA7482, on the left in the figure, working in the so-called. class D. Such UMZCH are sometimes called digital amplifiers, which is not true. For true digitization, level samples are taken from an analog signal at a quantization frequency of at least twice the highest of the reproducible frequencies, the value of each sample is recorded in an error-correcting code and stored for future use. UMZCH class D - pulsed. In them, the analogue is directly converted into a sequence of high-frequency pulse-width modulated (PWM) pulses, which is fed to the speaker through a low-pass filter (LPF).

Class D sound has nothing to do with Hi-Fi: THD of 2% and dynamics of 55 dB for UMZCH class D are considered very good indicators. And TDA7482 here, I must say, the choice is not optimal: other companies specializing in class D produce UMZCH ICs cheaper and require less strapping, for example, the Paxx D-UMZCH series, on the right in Fig.

Of the TDAs, it should be noted the 4-channel TDA7385, see the figure, on which you can assemble a good amplifier for speakers up to medium Hi-Fi inclusive, with frequency separation into 2 bands or for a system with a subwoofer. The filtering of low-frequency and mid-high frequencies in both cases is done at the input on a weak signal, which simplifies the design of the filters and allows for a deeper separation of the bands. And if the acoustics are subwoofer, then 2 channels of the TDA7385 can be allocated for the sub-ULF of the bridge circuit (see below), and the remaining 2 can be used for midrange-high frequencies.

UMZCH for subwoofer

A subwoofer, which can be translated as a "subwoofer" or, literally, "a subwoofer" reproduces frequencies up to 150-200 Hz, in this range, human ears are practically unable to determine the direction to the sound source. In speakers with a subwoofer, the “subwoofer” speaker is placed in a separate acoustic design, this is the subwoofer as such. The subwoofer is placed, in principle, as it is more convenient, and the stereo effect is provided by separate MF-HF channels with their own small-sized speakers, for the acoustic design of which there are no particularly serious requirements. Connoisseurs agree that it is still better to listen to stereo with full channel separation, but subwoofer systems significantly save money or labor on the bass path and make it easier to place acoustics in small rooms, which is why they are popular with consumers with normal hearing and not particularly demanding.

“Leakage” of midrange-high frequencies into the subwoofer, and from it into the air, greatly spoils the stereo, but if you sharply “cut off” the subbass, which, by the way, is very difficult and expensive, then a very unpleasant sound jump effect will occur. Therefore, channel filtering in subwoofer systems is done twice. At the input, MF-HF with bass "tails" are distinguished by electric filters, which do not overload the MF-HF path, but provide a smooth transition to sub-bass. Bass with midrange "tails" are combined and fed to a separate UMZCH for the subwoofer. The midrange is additionally filtered so that the stereo does not deteriorate, it is already acoustic in the subwoofer: the subwoofer is placed, for example, in the partition between the resonator chambers of the subwoofer that do not let the midrange out, see on the right in Fig.

A number of specific requirements are imposed on the UMZCH for a subwoofer, of which the "dummies" consider the greatest possible power to be the main one. This is completely wrong, if, say, the calculation of acoustics for a room gave peak power W for one speaker, then the power of the subwoofer needs 0.8 (2W) or 1.6W. For example, if speakers S-30 are suitable for the room, then a subwoofer is needed 1.6x30 \u003d 48 watts.

It is much more important to ensure the absence of phase and transient distortions: if they go, there will definitely be a sound jump. As for THD, it is acceptable up to 1%. Bass distortions of this level are not audible (see equal loudness curves), and the “tails” of their spectrum in the best audible midrange region will not get out of the subwoofer.

In order to avoid phase and transient distortions, the amplifier for the subwoofer is built according to the so-called. bridge circuit: the outputs of 2 identical UMZCH are turned on in the opposite direction through the speaker; the signals to the inputs are in antiphase. The absence of phase and transient distortion in the bridge circuit is due to the complete electrical symmetry of the output signal paths. The identity of the amplifiers that form the shoulders of the bridge is ensured by the use of paired UMZCH on ICs, made on the same chip; this is perhaps the only case when an amplifier on microcircuits is better than a discrete one.

Note: the power of the bridge UMZCH does not double, as some people think, it is determined by the supply voltage.

An example of a bridge UMZCH circuit for a subwoofer in a room up to 20 sq. m (without input filters) on the TDA2030 IC is given in fig. left. Additional midrange filtering is carried out by the R5C3 and R'5C'3 circuits. Radiator area TDA2030 - from 400 sq. see. Bridge UMZCHs with an open output have an unpleasant feature: when the bridge is unbalanced, a constant component appears in the load current that can disable the speaker, and protection circuits on the subbass often fail, turning off the speaker when not needed. Therefore, it is better to protect the expensive “dubovo” woofer with non-polar batteries of electrolytic capacitors (highlighted in color, and the diagram of one battery is given in the sidebar.

A little about acoustics

The acoustic design of a subwoofer is a special topic, but since a drawing is given here, explanations are also needed. Case material - MDF 24 mm. The resonator tubes are made of sufficiently durable non-ringing plastic, for example, polyethylene. The internal diameter of the pipes is 60 mm, the protrusions inward are 113 mm in the large chamber and 61 in the small one. For a specific speaker head, the subwoofer will have to be reconfigured for the best bass and, at the same time, for the least impact on the stereo effect. To tune the pipes, they take obviously longer lengths and, pushing in and out, achieve the desired sound. The outward protrusions of the pipes do not affect the sound, they are then cut off. The pipe settings are interdependent, so you have to tinker.

Headphone Amplifier

A headphone amplifier is made by hand most often for 2 reasons. The first is for listening "on the go", i.e. outside the home, when the power of the audio output of the player or smartphone is not enough to build up "buttons" or "burdocks". The second is for high-end home headphones. Hi-Fi UMZCH for an ordinary living room is needed with dynamics up to 70-75 dB, but the dynamic range of the best modern stereo headphones exceeds 100 dB. An amplifier with such dynamics is more expensive than some cars, and its power will be from 200 watts per channel, which is too much for an ordinary apartment: listening at a very low power level spoils the sound, see above. Therefore, it makes sense to make a low-power, but with good dynamics, a separate amplifier specifically for headphones: the prices for household UMZCHs with such a makeweight are obviously too high.

The diagram of the simplest headphone amplifier on transistors is given in pos. 1 fig. Sound - except for Chinese "buttons", works in class B. It also does not differ in efficiency - 13-mm lithium batteries last for 3-4 hours at full volume. At pos. 2 - TDA classic for on-the-go headphones. The sound, however, gives quite decent, up to average Hi-Fi, depending on the parameters of the track digitization. Amateur improvements to the TDA7050 strapping are innumerable, but no one has yet achieved the transition of sound to the next level of class: the “mikruha” itself does not allow. TDA7057 (pos. 3) is simply more functional, you can connect the volume control on a regular, not dual, potentiometer.

UMZCH for headphones on the TDA7350 (pos. 4) is already designed to build up good individual acoustics. It is on this IC that headphone amplifiers are assembled in most household UMZCHs of the middle and high class. The UMZCH for headphones on the KA2206B (pos. 5) is already considered professional: its maximum power of 2.3 W is enough to drive such serious isodynamic "burdocks" as TDS-7 and TDS-15.

A low frequency amplifier (ULF) is an integral part of most radio devices such as a TV, player, radio and various household appliances. Consider two simple two-stage circuits ULF on.

The first version of ULF on transistors

In the first version, the amplifier is built on n-p-n silicon transistors. The input signal comes through a variable resistor R1, which in turn is a load resistor for the signal source circuit. connected to the collector circuit of the amplifier transistor VT2.

Setting up the amplifier of the first option is reduced to the selection of resistances R2 and R4. The resistance value must be chosen such that the milliammeter connected to the collector circuit of each transistor shows a current in the region of 0.5 ... 0.8 mA. According to the second scheme, it is also necessary to set the collector current of the second transistor by selecting the resistance of the resistor R3.

In the first option, it is possible to use transistors of the KT312 brand, or their foreign counterparts, however, in this case, it will be necessary to set the correct voltage bias of the transistors by selecting the resistances R2, R4. In the second option, in turn, it is possible to use silicon transistors of the brand KT209, KT361, or foreign analogues. In this case, you can set the operating modes of the transistors by changing the resistance R3.

In the collector circuit of the transistor VT2 (both amplifiers), instead of headphones, it is possible to connect a speaker with high resistance. If you need to get a more powerful sound amplification, then you can assemble an amplifier that provides amplification up to 15 watts.

The simplest transistor amplifier can be a good tool for studying the properties of devices. The schemes and designs are quite simple, you can independently manufacture the device and check its operation, measure all parameters. Thanks to modern field-effect transistors, it is possible to make a miniature microphone amplifier literally from three elements. And connect it to a personal computer to improve the sound recording parameters. And the interlocutors during conversations will hear your speech much better and more clearly.

Frequency characteristics

Amplifiers of low (sound) frequency are available in almost all household appliances - music centers, televisions, radios, radios, and even personal computers. But there are also high-frequency amplifiers on transistors, lamps and microcircuits. Their difference is that ULF allows you to amplify the signal of only the audio frequency, which is perceived by the human ear. Transistor audio amplifiers allow you to reproduce signals with frequencies in the range from 20 Hz to 20,000 Hz.

Therefore, even the simplest device is able to amplify the signal in this range. And it does it as evenly as possible. The gain depends directly on the frequency of the input signal. The graph of the dependence of these quantities is almost a straight line. If, on the other hand, a signal with a frequency outside the range is applied to the input of the amplifier, the quality of work and the efficiency of the device will quickly decrease. ULF cascades are assembled, as a rule, on transistors operating in the low and medium frequency ranges.

Classes of operation of audio amplifiers

All amplifying devices are divided into several classes, depending on what degree of current flow through the cascade during the period of operation:

1. Class "A" - the current flows non-stop during the entire period of operation of the amplifying stage.
2. In the class of work "B" current flows for half the period.
3. Class "AB" indicates that the current flows through the amplifying stage for a time equal to 50-100% of the period.
4. In "C" mode, the electric current flows for less than half of the operating time.
5. Mode "D" ULF has been used in amateur radio practice quite recently - a little over 50 years. In most cases, these devices are implemented on the basis of digital elements and have a very high efficiency - over 90%.

The presence of distortion in various classes of low-frequency amplifiers

The working area of ​​a class "A" transistor amplifier is characterized by rather small non-linear distortions. If the incoming signal throws out higher voltage pulses, this causes the transistors to saturate. In the output signal, higher harmonics (up to 10 or 11) begin to appear near each harmonic. Because of this, a metallic sound, characteristic only for transistor amplifiers, appears.

With an unstable power supply, the output signal will be modeled in amplitude near the mains frequency. The sound will become harsher on the left side of the frequency response. But the better the power stabilization of the amplifier, the more complex the design of the entire device becomes. ULF operating in class "A" have a relatively low efficiency - less than 20%. The reason is that the transistor is constantly on and current flows through it constantly.

To increase (albeit insignificant) efficiency, you can use push-pull circuits. One disadvantage is that the half-waves of the output signal become asymmetrical. If you transfer from class "A" to "AB", the non-linear distortion will increase by 3-4 times. But the efficiency of the entire circuit of the device will still increase. ULF classes "AB" and "B" characterizes the increase in distortion with a decrease in the signal level at the input. But even if you turn up the volume, it will not help to completely get rid of the shortcomings.

Work in intermediate classes

Each class has several varieties. For example, there is a class of amplifiers "A +". In it, the transistors at the input (low-voltage) operate in the "A" mode. But high-voltage, installed in the output stages, work either in "B" or in "AB". Such amplifiers are much more economical than those operating in class "A". A noticeably smaller number of non-linear distortions - no higher than 0.003%. Better results can be achieved using bipolar transistors. The principle of operation of amplifiers on these elements will be discussed below.

But still there are a large number of higher harmonics in the output signal, which makes the sound characteristic metallic. There are also amplifier circuits that work in the "AA" class. In them, non-linear distortion is even less - up to 0.0005%. But the main drawback of transistor amplifiers is still there - a characteristic metallic sound.

"Alternative" designs

It cannot be said that they are alternative, just some specialists involved in the design and assembly of amplifiers for high-quality sound reproduction are increasingly preferring tube designs. Tube amplifiers have the following advantages:

1. Very low level of non-linear distortion in the output signal.
2. There are fewer higher harmonics than in transistor designs.

But there is one huge minus that outweighs all the advantages - you must definitely install a device for coordination. The fact is that the tube cascade has a very high resistance - several thousand ohms. But the speaker winding resistance is 8 or 4 ohms. To match them, you need to install a transformer.

Of course, this is not a very big drawback - there are also transistor devices that use transformers to match the output stage and the speaker system. Some experts argue that the most effective circuit is a hybrid - in which single-ended amplifiers are used that are not covered by negative feedback. Moreover, all these cascades operate in the ULF class "A" mode. In other words, a transistorized power amplifier is used as a repeater.

Moreover, the efficiency of such devices is quite high - about 50%. But you should not focus only on efficiency and power indicators - they do not speak of the high quality of sound reproduction by the amplifier. Much more important are the linearity of the characteristics and their quality. Therefore, you need to pay attention first of all to them, and not to power.

Scheme of a single-ended ULF on a transistor

The simplest amplifier, built according to the common emitter circuit, operates in class "A". The circuit uses a semiconductor element with an n-p-n structure. A resistance R3 is installed in the collector circuit, which limits the flowing current. The collector circuit is connected to the positive power wire, and the emitter circuit is connected to the negative. In the case of using semiconductor transistors with a p-n-p structure, the circuit will be exactly the same, only the polarity will need to be reversed.

With the help of a coupling capacitor C1, it is possible to separate the AC input signal from the DC source. In this case, the capacitor is not an obstacle to the flow of alternating current along the base-emitter path. The internal resistance of the emitter-base junction, together with resistors R1 and R2, is the simplest supply voltage divider. Typically, resistor R2 has a resistance of 1-1.5 kOhm - the most typical values ​​\u200b\u200bfor such circuits. In this case, the supply voltage is divided exactly in half. And if you power the circuit with a voltage of 20 Volts, you can see that the value of the current gain h21 will be 150. It should be noted that HF ​​amplifiers on transistors are made according to similar circuits, only they work a little differently.

In this case, the emitter voltage is 9 V and the drop in the “E-B” circuit section is 0.7 V (which is typical for transistors based on silicon crystals). If we consider an amplifier based on germanium transistors, then in this case the voltage drop in the “EB” section will be 0.3 V. The current in the collector circuit will be equal to that which flows in the emitter. You can calculate by dividing the emitter voltage by the resistance R2 - 9V / 1 kOhm = 9 mA. To calculate the value of the base current, it is necessary to divide 9 mA by the gain h21 - 9mA / 150 \u003d 60 μA. ULF designs usually use bipolar transistors. The principle of its work is different from the field.

On the resistor R1, you can now calculate the drop value - this is the difference between the base and supply voltages. In this case, the base voltage can be found by the formula - the sum of the characteristics of the emitter and the "E-B" transition. When powered by a 20 Volt source: 20 - 9.7 \u003d 10.3. From here, you can calculate the resistance value R1 = 10.3V / 60 μA = 172 kOhm. The circuit contains capacitance C2, which is necessary for the implementation of the circuit through which the alternating component of the emitter current can pass.

If you do not install capacitor C2, the variable component will be very limited. Because of this, such a transistor audio amplifier will have a very low current gain h21. It is necessary to pay attention to the fact that in the above calculations the base and collector currents were assumed to be equal. Moreover, the base current was taken to be the one that flows into the circuit from the emitter. It occurs only when a bias voltage is applied to the output of the base of the transistor.

But it must be borne in mind that absolutely always, regardless of the presence of bias, the collector leakage current necessarily flows through the base circuit. In circuits with a common emitter, the leakage current is increased by at least 150 times. But usually this value is taken into account only when calculating amplifiers based on germanium transistors. In the case of using silicon, in which the current of the "K-B" circuit is very small, this value is simply neglected.

MIS transistor amplifiers

The field-effect transistor amplifier shown in the diagram has many analogues. Including using bipolar transistors. Therefore, we can consider as a similar example the design of a sound amplifier assembled according to a common emitter circuit. The photo shows a circuit made according to a circuit with a common source. R-C connections are assembled on the input and output circuits so that the device operates in the class “A” amplifier mode.

Alternating current from the signal source is separated from the DC supply voltage by capacitor C1. Be sure the field-effect transistor amplifier must have a gate potential that will be lower than that of the source. In the presented diagram, the gate is connected to a common wire through a resistor R1. Its resistance is very large - resistors of 100-1000 kOhm are usually used in designs. Such a large resistance is chosen so that the signal at the input is not shunted.

This resistance almost does not pass electric current, as a result of which the potential of the gate (in the absence of a signal at the input) is the same as that of the ground. At the source, the potential is higher than that of the ground, only due to the voltage drop across the resistance R2. From this it is clear that the potential of the gate is lower than that of the source. Namely, this is required for the normal functioning of the transistor. It should be noted that C2 and R3 in this amplifier circuit have the same purpose as in the design discussed above. And the input signal is shifted relative to the output signal by 180 degrees.

ULF with output transformer

You can make such an amplifier with your own hands for home use. It is carried out according to the scheme that works in class "A". The design is the same as discussed above - with a common emitter. One feature - it is necessary to use a transformer for matching. This is a disadvantage of such a transistor audio amplifier.

The collector circuit of the transistor is loaded with a primary winding, which develops an output signal transmitted through the secondary to the speakers. A voltage divider is assembled on resistors R1 and R3, which allows you to select the operating point of the transistor. With the help of this circuit, a bias voltage is supplied to the base. All other components have the same purpose as the circuits discussed above.

push-pull audio amplifier

This is not to say that this is a simple transistor amplifier, since its operation is a little more complicated than that of those discussed earlier. In push-pull ULF, the input signal is split into two half-waves, different in phase. And each of these half-waves is amplified by its own cascade, made on a transistor. After each half-wave has been amplified, both signals are combined and sent to the speakers. Such complex conversions can cause signal distortion, since the dynamic and frequency properties of two, even of the same type, transistors will be different.

As a result, the sound quality at the output of the amplifier is significantly reduced. When a push-pull amplifier in class "A" is working, it is not possible to reproduce a complex signal with high quality. The reason is that the increased current flows constantly through the arms of the amplifier, the half-waves are asymmetrical, and phase distortions occur. The sound becomes less intelligible, and when heated, signal distortion increases even more, especially at low and ultra-low frequencies.

Transformerless ULF

The low-frequency amplifier on a transistor, made using a transformer, despite the fact that the design may have small dimensions, is still imperfect. Transformers are still heavy and bulky, so it's best to get rid of them. A much more efficient circuit is made on complementary semiconductor elements with different types of conductivity. Most of the modern ULFs are performed exactly according to such schemes and work in class "B".

Two powerful transistors used in the design work according to the emitter follower circuit (common collector). In this case, the input voltage is transmitted to the output without loss and amplification. If there is no signal at the input, then the transistors are on the verge of turning on, but still turned off. When a harmonic signal is applied to the input, the first transistor opens with a positive half-wave, and the second one is in the cutoff mode at this time.

Therefore, only positive half-waves can pass through the load. But negative ones open the second transistor and completely block the first one. In this case, only negative half-waves are in the load. As a result, the signal amplified in power is at the output of the device. Such a transistor amplifier circuit is quite effective and is able to provide stable operation, high-quality sound reproduction.

ULF circuit on one transistor

Having studied all the above features, you can assemble an amplifier with your own hands on a simple element base. The transistor can be used domestically KT315 or any of its foreign analogues - for example BC107. As a load, you need to use headphones, the resistance of which is 2000-3000 ohms. A bias voltage must be applied to the base of the transistor through a 1 MΩ resistor and a 10 µF decoupling capacitor. The circuit can be powered from a source with a voltage of 4.5-9 Volts, current - 0.3-0.5 A.

If the resistance R1 is not connected, then there will be no current in the base and collector. But when connected, the voltage reaches a level of 0.7 V and allows a current of about 4 μA to flow. In this case, the current gain will be about 250. From here, you can make a simple calculation of the transistor amplifier and find out the collector current - it turns out to be 1 mA. Having assembled this transistor amplifier circuit, you can test it. Connect the load - headphones to the output.

Touch the input of the amplifier with your finger - a characteristic noise should appear. If it is not there, then most likely the design is assembled incorrectly. Recheck all connections and element ratings. To make the demonstration clearer, connect a sound source to the ULF input - the output from the player or phone. Listen to music and appreciate the sound quality.

They are a thing of the past, and now, in order to assemble any simple amplifier, you no longer have to suffer with calculations and rivet a large printed circuit board.

Now almost all cheap amplifying equipment is made on microcircuits. The most widely used TDA chips for amplifying the audio signal. These are currently used in car radios, active subwoofers, home acoustics, and many other audio amplifiers, and look something like this:

Pros of TDA chips

1. In order to assemble an amplifier on them, it is enough to supply power, connect speakers and several radio elements.
2. The dimensions of these microcircuits are quite small, but they will need to be placed on a radiator, otherwise they will get very hot.
3. They are sold at any radio store. On Ali, something is expensive, if you take it at retail.
4. They have built-in various protections and other options, such as mute and so on. But according to my observations, the protections do not work very well, so the microcircuits often die either from overheating or from. So it is advisable not to close the microcircuit pins to each other and not to overheat the microcircuit, squeezing all the juice out of it.
5. Price. I wouldn't say they are very expensive. For the price and functions they perform, they have no equal.

Single-channel amplifier on TDA7396

Let's assemble a simple single-channel amplifier on the TDA7396 chip. At the time of this writing, I took it at a price of 240 rubles. The datasheet for the microcircuit said that this microcircuit can deliver up to 45 watts into a 2 ohm load. That is, if you measure the resistance of the speaker coil and it will be about 2 ohms, then it is quite possible to get a peak power of 45 watts on the speaker.This power is quite enough to arrange a disco in the room not only for yourself, but also for your neighbors and at the same time get a mediocre sound, which, of course, cannot be compared with hi-fi amplifiers.

Here is the pinout of the chip:

We will assemble our amplifier according to the typical scheme that was attached in the datasheet itself:

We feed +Vs to leg 8, and we don’t feed anything to leg 4. So the diagram will look like this:

Vs is the supply voltage. It can be from 8 to 18 volts. “IN+” and “IN-” - here we give a weak sound signal. We hook the speaker to the 5th and 7th legs. We put the sixth leg on the minus.

Here is my flush mount build

I did not use capacitors at the 100nF and 1000uF power input, since I have pure voltage coming from the power supply.

Rocked the speaker with the following parameters:

As you can see, the resistance of the coil is 4 ohms. The frequency band indicates that it is a subwoofer type.

And this is what my sub looks like in a self-made case:

I tried to shoot a video, but the sound on the video is very bad for me. But still, I can say that from the phone at medium power it was already pecking so that the ears were wrapped, although the consumption of the entire circuit in working form was only about 10 watts (we multiply 14.3 by 0.73). In this example, I took the voltage, as in a car, that is, 14.4 Volts, which fits well into our operating range from 8 to 18 Volts.

If you do not have a powerful power source, then it can be assembled according to this scheme.

Do not go in cycles in this chip. These TDA chips, as I said, there are many types. Some of them amplify the stereo signal and can output sound to 4 speakers at once, as is done in car radios. So do not be lazy to rummage through the Internet and find a suitable TDA. After completing the assembly, let your neighbors check out your amplifier by unscrewing the volume knob for the entire balalaika and leaning the powerful speaker against the wall).

But in the article I assembled an amplifier on a TDA2030A chip

It turned out very well, since the TDA2030A has better characteristics than the TDA7396

I will also add, for a change, another circuit from a subscriber whose amplifier on the TDA 1557Q has been working properly for more than 10 years in a row:

Amplifiers on Aliexpress

On Ali, I also found kit kits on TDA. For example, this stereo amplifier is 15 watts per channel and costs $1. This power is enough to hang out with your favorite tracks in the little room

You can buy.

And here he's ready right now

Anyway, there are a lot of these amplifier modules on Aliexpress. Click on this link and choose any amplifier you like.